Chris Huggett was a British engineer and designer who revolutionized the synthesizer industry with his affordable and innovative designs. He co-founded Electronic Dream Plant (EDP), creating the popular Wasp synthesizer, and later founded Oxford Synthesiser Company, designing the OSC OSCar. Huggett's legacy continues to influence the music technology landscape, as he also contributed significantly to Akai and Novation.
British engineer and inventor (1949–2020)
Chris Huggett
Died
22 October 2020
Occupation(s)
Engineer, designer
Chris Huggett (1949 - 22 October 2020) was a British engineer and designer who co-founded Electronic Dream Plant (EDP), founded Oxford Synthesiser Company and who was also a design consultant for Novation Digital Music Systems, Paul Whittington Group Ltd, and other manufacturers of audio technology.
Electronic Dream Plant
In 1977, Huggett had been working for Ferrograph, for 3M in their digital multi-track division, and as a freelance studio maintenance engineer. He met up with synthesist Adrian Wagner (a descendant of the German composer Richard Wagner), who had ideas for an inexpensive synthesiser. Electronic Dream Plant (commonly abbreviated to EDP), a British sound synthesiser manufacturing firm in Oxfordshire was formed.
Huggett designed EDP's most successful product, the Wasp, a synthesiser with a hybrid digital VCO / analog VCF design. Employing a unique contact keyboard (with no moving parts), the Wasp was priced at £199 (about 1440 GBP today), which was less than half the price of any comparable synth at the time.
Huggett later designed the Spider sequencer and the Gnat synthesiser before EDP's demise in the end of 1981 or 1982.
Oxford Synthesiser Company
After EDP, Huggett went on to form Oxford Synthesiser Company (OSC) with financing and management from his parents. He designed the OSC OSCar with Paul Wiffen and Anthony Harris-Griffin. The OSCar was intended to be an affordable yet sophisticated performance synthesiser with state-of-the-art sounds. The OSCar was a more substantial synthesiser than the Wasp, with two digital oscillators and a full-size three-octave keyboard. The OSCar was also one of the first digitally programmable synthesisers, and included both an arpeggiator and a step sequencer.
Akai
Huggett later moved on to Akai, where he wrote the operating system for the Akai S1000 sampler alongside David Cockerell, who designed the hardware. Huggett remained at Akai for successive models of Akai's rackmount sampler line, including the S3200, whose operating system he completed in 1993.
Novation Digital Music Systems
Supernova II (rear)
Nova
X-Station 49
Remote 25
Remote 25 SL
While working for Akai, Huggett provided advice and support to Novation's founders, working on the development of the BassStation, which used similar Oscillators and filters as the Wasp. He later joined Novation full time to design the Novation Supernova.
Huggett's involvement with Novation had continued through many of their hardware synths and MIDI controllers ever since, including the Nova family of synths, the Bass Station II, the Peak and Summit synths, and the ReMOTE & ReMOTE SL series of controllers.